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by Lance Weiler
Collector #24
The third issue of our open prototyping zine dives into how LAST HUMAN moves from the museum to the classroom. Inspired by Fluxus and John Cage’s experimental classes at The New School, students at Columbia DSL turn learning itself into performance - building haunted interfaces, masks, and rituals that blur the line between human and machine.
by Emil Woudenberg, Elida Silvey, and 7 more
Collector #2
Rich Text maps a lineage from printing presses and the typographers’ unions that fought automation to today’s slick WYSIWYG software and AI‑generated prose and reveals rich text formatting as a site of resistance where users wield boldface, italics, links, and raw code to reclaim autonomy.